d My concern about this scene, Irvin Kirschner, was that it was easy to apply the dialogue to either the protagonist or the antagonist: thus its, well, good for the body politick, who frequently toss the same arguments back and forth for alternating causes of the proverbial red or blue, such as the present, "two-tiered justice system". Former VP Pence has somewhat threaded this needle, notwithstanding present legal actions, noting the political targeting of a certain prosecution, and not the validity of the prosecution, but the motive for pursuing the prosecution. But in politics, so often, so much of what is done is wholly un-necessary, and seemingly designed to feed a dialogue, seeming sometimes to me like the elected officials intentionally feed their media counterparts, in order to keep the daily trudge of political news going. In fact, there are times when it seems the various television outlets are focused solely on the two party figureheads, and I have to rely on
Conjugates of the Infinite. behold we now through a "mirror glass darkly..." wayne lee ray, MKL, dr mklhattan, scott clarksdale. "bullet bill", Gary Seven. But one: bull of the woods, now featuring "a helluva vision". Once stuck his hand through a solid wall; unperturbed by solid matter.